Pearl was decked out with airy gaiety. It would have been impossible to guess that this bright and sunny apparition owed its existence to the shape of gloomy grey; or that a fancy, at once so gorgeous and so delicate as must have been requisite to contrive the child's apparel, was the same that had achieved a task perhaps more difficult, in imparting so distinct a peculiarity to Hester's simple robe. The dress, so proper was it to little Pearl, seemed an effluence, or inevitable development and outward manifestation of her character, no more to be separated from her than the many-hued brilliancy from a butterfly's wing, or the painted glory from the leaf of a bright flower. As with these, so with the child; her garb was all of one idea with her nature. On this eventful day, moreover, there was a certain singular inquietude and excitement in her mood, resembling nothing so much as the shimmer of a diamond, that sparkles and flashes with the varied throbbings of the breast on which it is displayed. Children have always a sympathy in the agitations of those connected with them; always, especially, a sense of any trouble or impending revolution, of whatever kind, in domestic circumstances; and therefore Pearl, who was the gem on her mother's unquiet bosom, betrayed, by the very dance of her spirits, the emotions which none could detect in the marble passiveness of Hester's brow.
她把珠儿打扮得花枝招展。人们简直难以猜测，这个如阳光般明媚的精灵竟然来自那灰暗的母体；或者说，人们简直难以想象，设计那孩子服饰所需的华丽与精巧，与赋予海丝特那件简朴长袍以明显特色的——这任务或许更困难，竟然同时出自一人之手。那身衣裙穿在小珠儿身上恰到好处，俨如她个性的一种流露，或是其必然发展和外部表现，就象蝴蝶翅膀上的绚丽多彩或灿烂花朵上的鲜艳光辉一样无法与本体分割开来。衣裙之于孩子，也是同一道理，完全与她的本性浑自天成。更何况，在这事关重大的一天，她情绪上有一种特殊的不安和兴奋，极象佩在胸前的钻石，会随着心口的种种悸动而闪光生辉。孩子们与同他们相关的人们的激动总是息息相通；在家庭环境中出现了什么麻烦或迫在眉睫的变动时，尤其如此；因此，作为悬在母亲不安的心口上的一颗宝石，珠儿以她那跳动的精神，暴露了从海丝特眉间磐石般的平静中谁都发现不了的内心感情。

This effervescence made her flit with a birdlike movement, rather than walk by her mother's side. She broke continually into shouts of a wild, inarticulate, and sometimes piercing music. When they reached the market-place, she became still more restless, on perceiving the stir and bustle that enlivened the spot; for it was usually more like the broad and lonesome green before a village meetinghouse, than the centre of a town's business.
她兴高采烈得不肯安分地走在她母亲身边，而且象鸟儿一样地蹦跳着。她不停地狂呼乱叫，也不知喊些什么，有时还尖着嗓子高唱。后来，她们来到了市场，看到那里活跃喧闹的气氛，她就益发不得安宁了；因为那地方平时与其说是镇上的商业中心，不如说象是村会所前的宽阔而孤寂的绿草地。

"Why, what is this, mother?" cried she. "Wherefore have all the people left their work to-day? Is it a play-day for the whole world? See, there is the blacksmith! He has washed his sooty face, and put on his Sabbath-day clothes, and looks as if he would gladly be merry, if any kind body would only teach him how! And there is Master Brackett, the old jailer, nodding and smiling at me. Why does he do so, mother?"
“咦，这是什么啊，妈妈？”她叫道。“大伙儿干嘛今天都不干活儿啦？今天全世界都休息吗？瞧啊，铁匠就在那儿！他洗掉了满脸煤烟，穿上了过星期日的衣服，象是只要有个好心人教教他，就要痛痛快快地玩玩哪！那位老狱吏布莱基特先生，还在那儿朝我点头微笑呢。他干嘛要这样呢，妈妈？”

"He remembers thee a little babe, my child," answered Hester.
他还记得你是个小小的婴儿的样子呢，我的孩子，”海丝特回答说。

"He should not nod and smile at me for all that- the black, grim, ugly-eyed old man!" said Pearl. "He may nod at thee, if he will; for thou art clad in grey, and wearest the scarlet letter. But see, mother, how many faces of strange people, and Indians among them, and sailors! What have they all come to do, here in the market-place?"
“那个长得又黑又吓人、眼睛很丑的老头儿，才不会因为这个对我点头微笑呢！”珠儿说。“他要是愿意，倒会向你点头的；因为你穿一身灰，还戴着红字。可是瞧啊，妈妈，这儿有多少生人的面孔啊，里边还有印第安人和水手呢！他们都到这市场上来干嘛呢？”