They drove by the level road along the valley to a distance of a few miles, and, reaching Wellbridge, turned away from the village to the left, and over the great Elizabethan bridge which gives the place half its name. Immediately behind it stood the house wherein they had engaged lodgings, whose exterior features are so well known to all travellers through the Froom Valley; once portion of a fine manorial residence, and the property and seat of a d'Urberville, but since its partial demolition a farm-house.
他们沿着谷中的平坦大道赶车走了几英里的路,就到了井桥村,然后转弯向左走,穿过伊丽莎白桥,正是这座桥,井桥村才带了一个桥字。紧靠桥的后面,就是他们租了住处的那座屋子,凡是从佛卢姆谷来的人,都非常熟悉这座屋子的外部特点;它曾经是一座富丽堂皇的庄园的一部分,是德贝维尔家族的产业和府邸,但是自从有一部分坍塌以后,它就变成了一座农屋。

'Welcome to one of your ancestral mansions!' said Clare as he handed her down. But he regretted the pleasantry; it was too near a satire.
“欢迎你回到你祖先的府邸!”克莱尔扶苔丝下车时说。不过他又立即后悔起来,因为这句话太接近讽刺了。

On entering they found that, though they had only engaged a couple of rooms, the farmer had taken advantage of their proposed presence during the coming days to pay a New Year's visit to some friends, leaving a woman from a neighbouring cottage to minister to their few wants. The absoluteness of possession pleased them, and they realized it as the first moment of their experience under their own exclusive roof-tree.
他们进屋后发现,房主利用他们租住他的屋子的几天时间到朋友家过除夕节去了,只给他们留下一个从附近农舍请来的妇女,照顾他们不多的需要。虽然他们只租了两个房间,但是他们却可以完全占用整个屋子,意识到这是他们两个人第一次领略独处一室的经验这使他们大为高兴。

But he found that the mouldy old habitation somewhat depressed his bride. When the carriage was gone they ascended the stairs to wash their hands, the charwoman showing the way. On the landing Tess stopped and started.
但是他也发现,他的新娘子见了这座又霉又旧的老宅有些情绪低落。马车离去了,他们在那个做杂活女人的指引下上楼洗手。苔丝在楼梯口停住了,吓了一跳。

'What's the matter?' said he.
“怎么啦?”他问。

'Those horrid women!' she answered, with a smile. 'How they frightened me.'
“都是这些可怕的女人!”她笑着回答说。“她们把我吓了一大跳。”

He looked up, and perceived two life-size portraits on panels built into the masonry. As all visitors to the mansion are aware, these paintings represent women of middle age, of a date some two hundred years ago, whose lineaments once seen can never be forgotten. The long pointed features, narrow eye, and smirk of the one, so suggestive of merciless treachery; the bill-hook nose, large teeth, and bold eye of the other, suggesting arrogance to the point of ferocity, haunt the beholder afterwards in his dreams.
他抬头看去,看见有两幅真人一样大小的画像,镶嵌在屋子的墙板上。凡是到过这座庄园的人都知道,这两幅画着两个中年女人的画像,大概是两百年前的遗物了,画中人物的面貌只要看过一眼,就永远不会忘记。一个是又长又尖的脸,细眯眼,皮笑肉不笑的,一副奸诈无情的凶狠样子;另一个是鹰嘴鼻,大牙齿,瞪着眼睛,一副凶神恶煞的骄横样子,看见这两幅画像的人,晚上都要做恶梦的。

'Whose portraits are those?' asked Clare of the charwoman.
“你知道这是谁的画像吗?”克莱尔问那位女仆。