作者：托马斯·哈代 2011-12-29 10:00
They drove by the level road along the valley to a distance of a few miles, and, reaching Wellbridge, turned away from the village to the left, and over the great Elizabethan bridge which gives the place half its name. Immediately behind it stood the house wherein they had engaged lodgings, whose exterior features are so well known to all travellers through the Froom Valley; once portion of a fine manorial residence, and the property and seat of a d'Urberville, but since its partial demolition a farm-house.
'Welcome to one of your ancestral mansions!' said Clare as he handed her down. But he regretted the pleasantry; it was too near a satire.
On entering they found that, though they had only engaged a couple of rooms, the farmer had taken advantage of their proposed presence during the coming days to pay a New Year's visit to some friends, leaving a woman from a neighbouring cottage to minister to their few wants. The absoluteness of possession pleased them, and they realized it as the first moment of their experience under their own exclusive roof-tree.
But he found that the mouldy old habitation somewhat depressed his bride. When the carriage was gone they ascended the stairs to wash their hands, the charwoman showing the way. On the landing Tess stopped and started.
'What's the matter?' said he.
'Those horrid women!' she answered, with a smile. 'How they frightened me.'
He looked up, and perceived two life-size portraits on panels built into the masonry. As all visitors to the mansion are aware, these paintings represent women of middle age, of a date some two hundred years ago, whose lineaments once seen can never be forgotten. The long pointed features, narrow eye, and smirk of the one, so suggestive of merciless treachery; the bill-hook nose, large teeth, and bold eye of the other, suggesting arrogance to the point of ferocity, haunt the beholder afterwards in his dreams.
'Whose portraits are those?' asked Clare of the charwoman.