GQ best movies

Down with the Oscars! The Real Best Movies of the Year!
打败奥斯卡，来看看2011年真正的好电影吧！

With Hollywood's season of self-pleasuring in full swing, GQ pays tribute to the movies of 2011 by handing out a few awards of it's own.
随着好莱坞的颁奖季如火如荼的进行，GQ杂志也不甘示弱推出了自己评选出的2011年的最佳影片。

《生命之树》

Movie of the Year: The Tree of Life 年度大片：《生命之树》

As gorgeously elusive as if it had been edited by butterflies, Terrence Malick's dawn-of-creation reverie about a 1950s Texas boyhood had its share of visionary overreach. But Brad Pitt gave the greatest screen performance of 2011 as America's ultimate midcentury dad. Thwarted, soulful almost in spite of himself, he was why Malick's aspirations to profundity came close to the real thing.
该片场景华美得难以捉摸，就好似蝴蝶在飞舞，泰伦斯.马力克对一名20世纪50年代德州男孩童年幻想的刻画有着超越梦想的成分。但是，作为世纪中期终极父亲的形象，布拉德·皮特2011年荧屏表现最佳。一个失败却深情得几乎忘我的父亲，他的表演使马力克颇具深度的影片更接近真实。

《美少女特攻队》

Dud of the Millennium: Sucker Punch 千年哑弹：《美少女特攻队》

300 director Zack Snyder's $82 million dream project turned out to be Inception for Barely Legal fans. WTF? No, seriously: WTF?
《300勇士》导演扎克.施奈德斥资8千2百万的梦想工程却成了《俏律师新上路》粉丝的“盗梦空间”。搞什么？真的！到底在搞什么？
 

《忧郁症》

Best Movie That Will Be an Opera Someday: Melancholia 有朝一日可能演绎为歌剧的最佳电影：《忧郁症》 

Set among a family of rich, wounded monsters whose antics take on a tragic heft once we learn they're facing extinction, Lars von Trier's finest film yet was the rare end-of-the-world story that convincingly wondered whether Earth's demise would be worth mourning. And from Kirsten Dunst doing Sylvia Plath better than Plath did to Kiefer Sutherland making you think Ingmar Bergman would have killed to hire him, the cast proved wonders never cease.
故事以一个富有的、受过伤害的古怪家庭为主线，当我们知道他们正面临灭顶之灾时，他们的怪异行为呈现出悲剧的力量，拉斯·冯·提尔最优秀的影片仍是罕见的世界末日主题，故事引入了地球的毁灭是否令人哀伤的思考。从比西尔维亚·普拉斯（忧郁诗人）更忧郁的克里斯汀·邓斯特到最适合英格玛·伯格曼影片的基弗·萨特兰，他们的表演触动着观众的心弦。
 

《胡佛传》

Best Love Story: J. Edgar 最佳爱情故事：《胡佛传》

Perfunctory at best in its biopic mode, 81-year-old Clint Eastwood's latest turned into a different—and far more interesting—movie whenever Leonardo DiCaprio and Armie Hammer were alone together on-screen as FBI director J. Edgar Hoover and his intimate crony Clyde Tolson. If public life has seldom looked so constricting, rarely have closets looked roomier.
一向对传记片最心不在焉的81岁的克林特.伊斯特伍德最近改弦更张，而莱昂纳多·迪卡普里奥和阿密·汉默两人独处的场景更使他的传记大作妙趣横生，两位明星分别在剧中扮演联邦调查局局长J·爱德加·胡佛及其至友克莱德·托尔森。如果公众生活很少如此受约束，那么密室看起来也不会更宽敞。
 

《点球成金》

Best Brad Pitt Movie Not Directed by Terrence Malick: Moneyball 非泰伦斯.马力克执导的最佳布拉德·皮特影片：《点球成金》

Uh-huh, Brad again—sly, offhand, and totally convincing as Oakland A's GM Billy Beane, who transformed the game with his innovative approach to a roster. Moneyball's lumpy side didn't matter a whole lot whenever Pitt and Jonah Hill hit another sweet spot in Aaron Sorkin's flavorful dialogue.
嗯，又是布拉德——狡猾、随便、且完全令人信服的奥克兰运动家队总经理比利·毕恩，他在最优组合棒球队员方面的创新改变了游戏规则。皮特和乔纳·希尔总是在阿伦·索尔金设计的有趣对话中迸发出奏效妙招，略显繁复，但这并没有影响整体效果。
 

《后人》

Best George Clooney Movie We're Sort of Glad Wasn't Directed by George Clooney: The Descendants 让我们感到欣慰的一部非乔治.克鲁尼执导的乔治.克鲁克最佳影片：《后人》

Hawaii setting aside, the material of Alexander Payne's first feature since 2004's Sideways wasn't too fresh. One reason nobody cared about that shortcoming was the fantastic delicacy of Payne's attentiveness to the quirks and habits that reveal people's personalities in default mode. Another was that Clooney has never been better—and who'd have thought we'd see the day when he and his pal Brad were vying for acting MVP of the decade?
先撇开拍摄地夏威夷，亚历山大·佩恩的第一部影片《杯酒人生》的题材就不太新鲜，为什么没有人在意这一缺点呢？原因之一，佩恩以揭示常规模式下人们个性的怪癖和习惯为卖点，原因之二，克鲁尼演得棒极了——谁会想到我们看到了他与好友皮特争夺十年来最有价值演员的时刻呢？ 

《吾栖之肤》

The "Top This in 2048, Lady Gaga" Award: The Skin I Live In “Lady Gaga ！62岁时做得更好”奖项：《吾栖之肤》

Imagine still being able to really tick people off the year you turn 62. Including, especially, people who championed your impudence back when you were young. That must mean you're Spain's one and only Pedro Almodóvar. Disfigurement as a path to self-knowledge, Hitchcock gone gynecological, Antonio Banderas as a plastic surgeon who turns out to be a horror-flick version of Jay Gatsby? Skin was the most disturbing—and ultimately magical—movie Almodóvar has ever made.
想像一下，当你62岁的时候仍能颠覆人们的思想，尤其包括那些为你年轻时的冒失做过辩护的人的思想。那意味着你一定是西班牙人，而且正是佩德罗·阿尔莫多瓦。毁容为自知之路，希契科克变成妇产科，身为整形外科医生的安东尼奥·班德拉斯原来是杰依·盖茨比的惊悚版？这部电影是阿尔莫多瓦拍摄的最令人不安、也是最具魔力的一部影片。

《商海通牒》

Best Occupy-Wall-Street Recruiting Film: Margin Call 最佳“占领华尔街”募兵宣传片：《商海通牒》

Set mostly inside the sleek offices of a Manhattan brokerage firm after number-cruncher Zachary Quinto discovers the market's looming meltdown will put them out of business if somebody doesn't start strategizing PDQ, writer-director J. C. Chandor's assured debut didn't demonize Wall Street traders. Nope, Margin Call just showed us their mind-sets at work—which was plenty damning enough.
数字天才扎克瑞·昆图发现，如果没有人立即着手制订策略，日渐走向衰败的市场将毁掉他们的生意。之后的大部分故事发生在曼哈顿经纪公司井然有序的 办公室里。作家兼导演J·C·陈多尔成功的处女作没有妖魔化华尔街的商人们。《商海通牒》只是告诉我们他们的工作理念足具毁灭性。
 

《勇士》

Best Surefire Crowd-Pleaser That Wasn't: Warrior 最符合观众口味却没有获奖的影片：《勇士》

This one's failure to ignite with the great American male public is a mystery to all of us here at your favorite magazine. So just remember how Fight Club didn't do boffo business either before turning cult classic. Starring Tom Hardy and Joel Edgerton as a modern-day Cain and Abel—not to mention Nick Nolte as their dad, a grim fraud midway between Adam and God—director Gavin O'Connor's mixed-martial-arts lollapalooza was The Deer Hunter divided by Rocky and multiplied by East of Eden.
影片的落榜令伟大的美国男性公众愤愤不平，对你最喜爱杂志的所有工作人员来说，这也是个谜。所以，只要记住《搏击俱乐部》在成为文化经典之前也没 有得到赏识。由汤姆·哈迪和乔尔·埃哲顿在影片中演绎现代该陷和亚伯——更有尼克·诺特扮演他们的父亲，兄弟情仇的始作俑者。导演加文·奥康纳情感动作混合片的精彩之处就如同摒弃了《洛奇》理想成分而融入了《伊甸之东》兄弟恩怨的《猎鹿人》。

《艺术家》

Charmer of the Year: The Artist 年度大赢家：《艺术家》

In 2011, there were two kinds of movie buffs. There were those who'd seen director Michel Hazanavicius's one-of-a-kind tribute to the lost days of silent film—starring Jean Dujardin as a 1920s matinee idol undone by the coming of sound—and couldn't shut up about how wonderful it was. Then there were those turned off by Category A's endless babble. So here's a hot tip: Category B doesn't know what it's missing.
2011年，有两种电影爱好者。一种爱好者看到了导演迈克尔·哈扎纳维希乌斯对被遗忘的默片时代作出的独特贡献，并被默片的精彩所折服——让·杜·雅尔丹在片中扮演一名20世纪20年代颇受女性观众青睐的偶像演员，但因为有声电影的出现而走向没落。再者，就是那些被有声电影的喋喋不休搞得心烦意乱的人。有消息称：第二种电影爱好者并没有意识到它少了什么。
 

《寒冷的天气》

Indie Find of the Year: Cold Weather 年度独立小制作：《寒冷的天气》

Shot on the kind of budget once reserved for pet-store commercials, Aaron Katz's nifty little mystery story looked great anyway—and better yet, had more on its mind than the usual slack-jawed interpersonals and anomie. Turns out nothing chases away those Generation Z blues like turning amateur detective when your ex-girlfriend goes missing, something that also let Katz's protagonist and his pals mimic all sorts of cool behavior they'd spent their lives watching on TV.
亚伦·卡兹凭借为宠物商店做广告留出的费用拍出的绝妙神奇小故事看起来棒极了，或许这样说还不够，它比让人目瞪口呆的日常人际关系和社会反常现象 更耐人寻味。它证明，没什么能让Z时代的人们摆脱忧郁，即使是女友失踪让你成为业余侦探，卡茨的主角及好友们模仿他们花时间在电视上学到的各种“酷”行为。

《锅匠、裁缝、士兵、间谍》

Best Reason to Miss the Soviet Union: Tinker, Tailor, Soldier, Spy 追忆苏联的最佳理由：《锅匠、裁缝、士兵、间谍》

Once this smart, thorny adaptation of John le Carré's classic novel about the scramble to identify a mole in British intelligence found its bleak but engrossing Cold War groove, it just kept getting better. For which we can thank Gary Oldman, John Hurt, and Colin Firth, along with—once again—Tom Hardy, who added a jolt of rogue liveliness right when one was needed.
约翰·勒·卡雷关于挖出英国情报部门内奸时所发生的混战的经典小说，经过巧妙的、煞费苦心的改编后，再现了冷酷但引人入胜的冷战局势，改编后剧情更富戏剧性。在此，我们感谢加里·奥德曼、约翰·赫特和柯林·佛斯，更要感谢汤姆.哈迪，为他在剧中适时的痞态。
 

《亡命驾驶》

Non-Event of the Year: Drive 年度扫兴影片：《亡命驾驶》

Seldom have so many agitated cinephiles made so much fuss about so little. Nicolas Winding Refn's exercise in arty pulp was memorable mainly for the hilarious lawsuit it provoked from disgruntled Michigan ticket buyer Sarah Deming, who'd been hoping for something more Vin Diesel-y.
少有这么多激动的影迷如此小题大作。尼古拉·温丁·雷弗恩在好莱坞初试身手却令人难忘，主要由于密西根购票人萨拉·戴明的一时气愤，而引发的一场滑稽官司，萨拉·戴明希望看到更具范·迪塞尔风格的表演。