CANNES: A hit at the Cannes Film Festival, which shut Sunday, can be a blip back home. As the glow of Cannes fades, here are the films from the festival that may sustain the buzzthey earned on the Riviera:
戛纳:戛纳电影节在周日闭幕,热烈的气氛暂时消退。随着戛纳电影节光芒的褪去,以下是电影节上的几部能够留住他们在里维埃拉海岸赢得的光环的电影。

OSCAR BUZZ
奥斯卡进击

Premiering just days before Ireland legalized gay marriage, Todd Haynes’ “Carol” is a lush period drama that is grippingly contemporary.
托德·海因斯导演的《卡罗尔》在爱尔兰同性恋婚姻合法化的几天前刚刚首映,这部作品发行于(同性恋运动)郁郁葱葱时期,时代感强烈,十分扣人心弦。

Based on the 1952 Patricia Highsmith novel “The Price of Salt,” the film stars Cate Blanchett and Rooney Mara as two women who are intractably drawn together, but who must cloak their budding romance in disguised gestures and subtle glances.
原著是1952年派翠西亚·海史密斯创作的小说《盐的代价》,电影由女星凯特·布兰切特和鲁妮·玛拉主演——两位女子倔强地坚持在一起,但她们必须要以伪装和微妙的眼神来遮掩这段刚刚萌芽的浪漫关系。

Mara shared in the best actress award at Cannes, but distributor Harvey Weinstein will ensure that’s not the last honor for “Carol.”
玛拉获戛纳电影节最佳女演员奖,但发行人哈维·韦恩斯坦将确保这不是《卡罗尔》获得的最后殊荣。

Also look for Pixar’s “Inside Out,” Cotillard’s empathetic Lady Macbeth and the veteran stars of Paolo Sorrentino’s “Youth” (Michael Caine and Harvey Keitel) to find some award season attention.
还有皮克斯的《头脑特工队》,歌迪亚投入演出的《麦克白夫人》,以及经验丰富的影星保罗·索伦提诺的《年轻人》(迈克尔·凯恩和哈维·凯特尔),这几部均为奥斯卡热点。

FOR ART HOUSE FANS
为了艺术剧院爱好者准备的

Hou Hsiao-hsien’s martial arts drama “The Assassin” may seem like stuff of genre, but the Taiwanese filmmaker’s latest – which won best director – bares little with the fast-paced action usually found in the genre.
侯孝贤的武打片《聂隐娘》可能看起来很像风俗画,不过这位台湾电影制作人最近的这部作品(斩获了最佳导演奖)不同于以往的武打片,它鲜少展示快节奏的打斗。

It was the most gorgeous film at Cannes. Nearly every image is breathtakingly composed. Some, however, thought it lacked in substance behind the splendid imagery.
这是本届戛纳上最惊艳的电影,几乎每一帧画面的组成都扣人心弦惊心动魄。不过,有些人则认为它华而不实。

DIFFICULT BUT REWARDING
沉重但有所值的

A harrowing Holocaust drama set among the Jewish workers of a concentration camp is precisely the kind of film many feel obligated to see, rather than enthusiastic to watch.
令人痛心疾首的大屠杀剧情将一群犹太工人至于集中营之中,这类电影是很多人都认为有义务去看的电影,而不是出于狂热去看的电影。

“Son of Soul,” the first feature by Hungarian director Laszlo Nemes, is something wholly unique: A visceral, bone-chilling, first-person plunge into darkness.
《索尔之子》是匈牙利导演拉斯洛·内梅斯创作的第一部影片,这绝对是很一部独一无二的影片:一部发自肺腑的、露骨的、以第一人称视角投入到黑暗中的影片。

REWARDING ODDITIES
值得一看的荒诞故事

“The Lobster” and “Tale of Tales” – two films bound by a wry surrealism and John C. Reilly – vied for most bizarre of the Cannes competition.
两部和讽刺意味的超现实主义及约翰·C·赖利颇有联系的影片《龙虾》和《故事中的故事》角逐戛纳电影节上“最离奇的电影”。

In Yorgos Lanthimos’ “The Lobster,” middle-aged, unmarried singles (Colin Farrell, Rachel Weisz, Reilly) gather at a remote Irish hotel where, if they don’t couple up, they’re turned into an animal. Weirder still was “Tale of Tales,” Matteo Garrone’s adaptation of grotesque 17th-century Neapolitan fairy tales.
在欧格斯·兰斯莫斯的电影《龙虾》中,中年单身者(科林·法瑞尔、瑞切尔·薇兹和赖利饰演)聚在一个偏远的爱尔兰旅馆里,如果她们在那儿不结成伴侣,他们就会变成动物。《故事中的故事》也很荒诞,这个故事是由马提欧·加洛尼改编自17世纪的一个那不勒斯怪异神话故事。